|
|
U+3000
|
IDEOGRAPHIC SPACE
|
4 |
|
、 |
U+3001
|
IDEOGRAPHIC COMMA
|
102 |
|
。 |
U+3002
|
IDEOGRAPHIC FULL STOP
|
98 |
|
〃 |
U+3003
|
DITTO MARK
|
77 |
|
〄 |
U+3004
|
JAPANESE INDUSTRIAL STANDARD SYMBOL
|
62 |
|
々 |
U+3005
|
IDEOGRAPHIC ITERATION MARK
|
70 |
|
〆 |
U+3006
|
IDEOGRAPHIC CLOSING MARK
|
68 |
|
〇 |
U+3007
|
IDEOGRAPHIC NUMBER ZERO
|
65 |
|
〈 |
U+3008
|
LEFT ANGLE BRACKET
|
109 |
|
〉 |
U+3009
|
RIGHT ANGLE BRACKET
|
108 |
|
《 |
U+300A
|
LEFT DOUBLE ANGLE BRACKET
|
103 |
|
》 |
U+300B
|
RIGHT DOUBLE ANGLE BRACKET
|
103 |
|
「 |
U+300C
|
LEFT CORNER BRACKET
|
82 |
|
」 |
U+300D
|
RIGHT CORNER BRACKET
|
82 |
|
『 |
U+300E
|
LEFT WHITE CORNER BRACKET
|
79 |
|
』 |
U+300F
|
RIGHT WHITE CORNER BRACKET
|
78 |
|
【 |
U+3010
|
LEFT BLACK LENTICULAR BRACKET
|
73 |
|
】 |
U+3011
|
RIGHT BLACK LENTICULAR BRACKET
|
73 |
|
〒 |
U+3012
|
POSTAL MARK
|
65 |
|
〓 |
U+3013
|
GETA MARK
|
79 |
|
〔 |
U+3014
|
LEFT TORTOISE SHELL BRACKET
|
71 |
|
〕 |
U+3015
|
RIGHT TORTOISE SHELL BRACKET
|
71 |
|
〖 |
U+3016
|
LEFT WHITE LENTICULAR BRACKET
|
65 |
|
〗 |
U+3017
|
RIGHT WHITE LENTICULAR BRACKET
|
65 |
|
〘 |
U+3018
|
LEFT WHITE TORTOISE SHELL BRACKET
|
71 |
|
〙 |
U+3019
|
RIGHT WHITE TORTOISE SHELL BRACKET
|
71 |
|
〚 |
U+301A
|
LEFT WHITE SQUARE BRACKET
left abstract syntax bracket
|
74 |
|
〛 |
U+301B
|
RIGHT WHITE SQUARE BRACKET
right abstract syntax bracket
|
74 |
|
〜 |
U+301C
|
WAVE DASH
|
62 |
|
〝 |
U+301D
|
REVERSED DOUBLE PRIME QUOTATION MARK
|
64 |
|
〞 |
U+301E
|
DOUBLE PRIME QUOTATION MARK
|
63 |
|
〟 |
U+301F
|
LOW DOUBLE PRIME QUOTATION MARK
|
63 |
|
〠 |
U+3020
|
POSTAL MARK FACE
|
18 |
|
〡 |
U+3021
|
HANGZHOU NUMERAL ONE
|
15 |
|
〢 |
U+3022
|
HANGZHOU NUMERAL TWO
|
15 |
|
〣 |
U+3023
|
HANGZHOU NUMERAL THREE
|
15 |
|
〤 |
U+3024
|
HANGZHOU NUMERAL FOUR
|
14 |
|
〥 |
U+3025
|
HANGZHOU NUMERAL FIVE
|
14 |
|
〦 |
U+3026
|
HANGZHOU NUMERAL SIX
|
15 |
|
〧 |
U+3027
|
HANGZHOU NUMERAL SEVEN
|
15 |
|
〨 |
U+3028
|
HANGZHOU NUMERAL EIGHT
|
15 |
|
〩 |
U+3029
|
HANGZHOU NUMERAL NINE
|
14 |
|
〪 |
U+302A
|
IDEOGRAPHIC LEVEL TONE MARK
|
13 |
|
〫 |
U+302B
|
IDEOGRAPHIC RISING TONE MARK
|
13 |
|
〬 |
U+302C
|
IDEOGRAPHIC DEPARTING TONE MARK
|
13 |
|
〭 |
U+302D
|
IDEOGRAPHIC ENTERING TONE MARK
|
13 |
|
〮 |
U+302E
|
HANGUL SINGLE DOT TONE MARK
single dot Bangjeom
|
14 |
|
〯 |
U+302F
|
HANGUL DOUBLE DOT TONE MARK
double dot Bangjeom
|
14 |
|
〰 |
U+3030
|
WAVY DASH
|
63 |
|
〱 |
U+3031
|
VERTICAL KANA REPEAT MARK
|
61 |
|
〲 |
U+3032
|
VERTICAL KANA REPEAT WITH VOICED SOUND MARK
|
61 |
|
〳 |
U+3033
|
VERTICAL KANA REPEAT MARK UPPER HALF
|
61 |
|
〴 |
U+3034
|
VERTICAL KANA REPEAT WITH VOICED SOUND MARK UPPER HALF
|
61 |
|
〵 |
U+3035
|
VERTICAL KANA REPEAT MARK LOWER HALF
|
61 |
|
〶 |
U+3036
|
CIRCLED POSTAL MARK
|
17 |
|
〷 |
U+3037
|
IDEOGRAPHIC TELEGRAPH LINE FEED SEPARATOR SYMBOL
|
15 |
|
〸 |
U+3038
|
HANGZHOU NUMERAL TEN
|
14 |
|
〹 |
U+3039
|
HANGZHOU NUMERAL TWENTY
|
14 |
|
〺 |
U+303A
|
HANGZHOU NUMERAL THIRTY
|
14 |
|
〻 |
U+303B
|
VERTICAL IDEOGRAPHIC ITERATION MARK
|
57 |
|
〼 |
U+303C
|
MASU MARK
|
58 |
|
〽 |
U+303D
|
PART ALTERNATION MARK
|
59 |
|
〾 |
U+303E
|
IDEOGRAPHIC VARIATION INDICATOR
|
14 |
|
〿 |
U+303F
|
IDEOGRAPHIC HALF FILL SPACE
|
14 |