Different strokes, indeed: a font this strange could only be the work of our old friend, A. Bardi. Basically, the font takes a contrarian approach to the typical Deco thick/thin stroke treatment, such as one would find in a font like Broadway. Where you might expect thick strokes, there are thin strokes, and vice-versa. The result is a font with unusual coloring and a certain je ne sais quoi (translated as “beats the heck outta me”).